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These albums happened when I happened. I really liked real R&B and still do. These types of tunes are very real—they have an honesty to them. Those artists spoke to people, they were about the times and what was happening in our country at that time. When you listen to those tunes, you know what happened at that time. They are great musicians because they play from the heart.
These records don’t have much polish. The Motown way is great, but in Memphis, we didn’t polish, we didn’t try to do that. Motown they had their recording method, we just started from the hip and honestly – whatever the cost, we did it. As Rufus Thomas used to say, “Up North it’s Motown, but below the Mason-Dixon line, your ass is mine!”
Artist: Ray Charles
Release date: 2002
I first discovered Ray in the 50’s. I just saw a guy with sunglasses and I thought that was cool. At first he sounded like gospel, with a call and answer, but he revolutionized that stuff with an electric Wurlitzer piano – it was a different sound, I had never heard anything like it. Or have seen anything like it – that piano has a body that looks like pulp. He put these tunes in there, like “What Did I Say”, “I’ve Got a Woman”, “Georgia in Me”, “Baby, Don’t You Please Come Home”, which were very emotional. It comes through, it delivers. He’s got some standards there, he’s got some funk and R&B, even some country. Unfortunately, Ray is not with us, but this album can introduce him to the younger generation. Some of his longtime fans may find some of the tunes they’ve been looking for here.
when a man loves a woman
Artist: Percy Sledge
Release Date: 1966
I was playing in Bowlegs Miller’s band when that song came out. We used to be on the road and “When a Man Loves a Woman” would be all you heard on the radio. The music is simple, the lyrics are simple, and the whole piece is repetitive, but it gets the point across: when a man loves a woman—really loves her—all of these things actually happen. He kind of empowers women by saying that. It’s like a covenant. It’s a classic. That song didn’t really influence my music, but it started me falling in love.
Artist: Isaac Hayes
Release date: 1971
I just need to put it in. Tune Collection – Many hit songs come from here. I love “Love Theme,” where Shaft is making love to his woman, and “Café Reggio.” And “Soulsville,” which plays in the camera montage as Shaft walks through Harlem — people can still relate to that song because the ghetto is still that way. “Do your thing” is what people always associate with that. “Bumpy’s Lament” came after a Saturday night when I was working until dawn in Los Angeles, and I was driving home down La Cienega in the morning, and something from the night before had blown all these papers out into the street; I wrote that song when I got home. Shaft is still relevant, it’s still alive – part of what keeps it alive is sampling. Hip-hoppers sampled a lot of my stuff, so the music is still in people’s minds over the years. The theme of the piece is still the same, and the sound is still there, because of the sampling.
Artist: Otis Redding
Release date: 1992
Otis was important because he was so powerful at the time. It was exciting to see him and his voice was unique. Even his voice is unique. Most of the pop music world remembers his performance on “The Pier at the Bay,” when he went to Monterey for that festival, playing for the hippies. Otis can really tune out. There was begging in his voice. He’ll wring every ounce of emotion out of a word. Whatever Otis does, he makes it his.
Artist: Rufus Thomas
Release date: 1997
Rufus believed in singing humorous songs. He could do something with a nursery rhyme – in fact, he did in “Old McDonald’s Had a Farm” – Parts 1 and 2! Rufus came out of vaudeville, where he honed his craft, so he was doing humor from the start, like “The Preacher and the Bear” or “Itchy.” He has funky beats like “Boogie Ain’t Nuttin’ (But Come Down)” and “Turn Your Damper Down,” and if you’ve ever heard him slow down, his vibrato is great. People need to hear some raw R&B with a sense of humor, and Rufus delivers that. He is a communicator. It makes you feel good, really makes you feel good.
absolutely the best
Artists: Ike and Tina Turner
Release date: 1998
Tina is from Nat Bush, Tennessee, less than twenty miles from where I was born. She is the most exciting person on stage. And Ike, people forget that he was one of the pioneers of rock music – Sam Phillips raised him very early on at Sun Studios, Ike had a tune called “Rocket ’88” which was one of the first rock tunes one. He used a lot of experience on Tina. “I Idolize You” is one of their early tunes, and they use the Ikettes well in this tune. Same with “Work Out Fine” – it’s also a great use of the backing vocals; they also make good use of reverb from the vamp, as Phil Spector used to do with his “Wall of Sound”. Spector did “River Deep, Mountain High” with them, and Tina made it her own, and it’s a masterpiece. Same tune as Stevie Wonder’s “Live for the City”. Ike is also a great producer – you may disagree with his approach, but he gets results, know what I’m talking about?
Artist: James Brown
James was always taking advantage of what was going on at the time, like the hot pants craze. On tracks like “Cold Sweat” and “I Got the Feelin’,” those beats and the way they mesh with the horn, he just puts it down. One of the great ballads he dominated the radio was “It’s a Man’s World”—a ditty on the piano, another tune that glorified women. The world would be nothing without women or girls. James always knew what to say. In “Dad Has a Brand New Bag” he says he has something new – whatever he does best, well, now he has a brand new one. That’s one of the greatest things about James, is that he keeps improving. My daughter sang with James for six years. She always told me she learned a lot from Mr. Brown. He has this commanding ability, especially live – when he plays, people go crazy. That’s what you hear in these tunes.
Artist: Booker T. And The MG’s
Release date: 1970
They covered some songs from the Beatles’ Abbey Road album, and the cover was a reference to the picture on the cover of Abbey Road, except they crossed McLemore Avenue, which is the street where Stax was. At Stax, we used to listen to everyone, and we were really moved by the Beatles. We used to hear some of the breaks they did, like on “Day Tripper,” and that would go into our music. The way they play the rhythm is very impactful, as in “Here Comes the Sun”, the rhythm is offbeat but still on the beat like some jazz tunes. When the Stax band went to the UK it was a huge hit – Booker T., Otis, Sam and Dave, and we started to develop a good kinship with British music and British audiences. About a year later, the Beatles were supposed to come to Starks, but someone let it slip away, it spread like wildfire, the girls were camping outside, etc., and they had to cancel.
only the strong survive
Release date: 2004
A few years ago, DA Pennebaker and Chris Hegedus made a documentary about our Stax employees, and everyone was great. The whole movie is a slice of the 60’s and 70’s. R&B held a pivotal position in popular music at the time. You hear the tune of this album, you can hear it. It’s pure R&B – it’s in the chords and the rhythm and the themes – what’s going on in the hood, what people love about the hood, it’s all there. In live performances, people stretch the tune a little bit — they want to capture the whole essence of the moment, maybe talk about what they saw backstage and throughout the set. You have a live audience and you have to work for your audience. It’s not like a record – it’s a beautiful exchange. You get a lot out of the audience and you take it slow… until you’re satisfied.
Best Principal Artist
Artist: The Staple Singers
Release date: 1990
That music just makes you feel good. The Staple Singers come from a truly original gospel, they are a family and their harmonies are like a family. It’s raw, it’s pure — “I’ll take you there,” that bass line, it’s raw, man. And Mavis, her vocalization, oh my gosh, she makes those different sounds, guttural deep down, or she can improvise. Pops plays his guitar with that tremolo, like you sing in church. It brings me back to the old country days when I was a kid in church – you tap your foot and it kicks up clumps of dirt on the floor. That’s what it makes you want to do. Thankfully, Stax has the expertise to capture it and present it to the world. They came at a time when the civil rights struggle was in full swing and they were thinking of better days. It’s about brotherhood, which is what the era needs.
mr big shot
Artist: Jean Knight
Release date: 1971
That tune, “Mr. Big Shot,” is what it’s all about. Just listen to those speaker cables – Stax has always been known for their speaker cables. You know, let’s be different. She’s not fat, but she’s plump, and she has a very feminine-sounding voice. In a lot of her songs, she’s someone trying not to be defeated, a combative character. Like in “You City Slicker” where she’s a country girl defending the city man, or in “Call Me Your Fool If You Want” – she just doesn’t care what people say about her. The ones she picks that mean a lot to her, like “Why Do I Keep These Memories,” are obviously good memories and she’ll keep coming back to them.
Ultimate Isaac Hayes: Can you dig it? (Disc 1)
Artist: Isaac Hayes
Release date: 2005
This is a great collection from the early days of Stax, very comprehensive. It contains many poignant tunes and shows how I became the #1 seller on Black Moses and Stax. This is how I got to where I am today – the beginning of the journey. These tunes describe the era, but also express true soul music. In addition to the songs I wrote myself, there are me and my writing partner Dave Porter (“Help Me Love”), duets (myself and Dionne Warwick’s “By The Time I Get To Phoenix/Say A Little Prayer”) ) together and something I’m also known for: reinterpreting other artists’ songs like Burt Bacharach’s “Looks Like Love” and “There’s Nothing I Can Do (If I Still Love You),” It was originally a country song by Hank Williams. There are some movie themes in there too: “Shaft” (of course!) and “The Man’s Theme”. Also check out the “Three Tough Guys Title Theme” recently used in Kill Bill: Volumes 1 and 2.
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