Picture Of Muslim Baby Boys That Is 2 Years Old Cultural Heritage of Ghana – CAN 2008

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Cultural Heritage of Ghana – CAN 2008

Do you know that a nation without culture is like a person without a soul? And a person without a soul is as good as a stillborn baby? And a stillborn baby is that being that could not take the first breath of life at birth? That first breath of life is the soul, which is a part of the Almighty Creator Himself, without which, no man can survive?

Perhaps the Holy Bible will help better illustrate the point I am trying to make here. Just open the Bible, (King James Version) and see Genesis Chapter 2: 7. It reads: “And the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life, and man became a living soul . . .

On Sunday, January 20, 2008, the MTN 26th Africa Cup of Nations, dubbed Ghana 2008 kicked off in the capital of Accra. The tournament would be held in four cities, namely Accra, Kumasi, Sekondi and Tamale until February 10, 2008. The purpose of this piece is to try to review the Grand Opening Ceremony of the event where Ghanaian culture was planted like a blooming rose . blossom in the center of the earth for mankind to behold, enjoy and cherish. It was amazing and “extraordinary” as the French would say. Analogously, that cultural spectacle that heralded the event was the breath of life infused into the veins of the games as the living soul to make Ghana CAN 2008 a living tournament.

Above all, Ghana and for that matter Africa should be proud that there are citizens of the continent whose creativity is beyond imagination. Because the person or group of persons who sat down, or stood up or moved and through attunement and meditation, received inspiration from the Supreme Creator and were able to transform their visualization into the realization of what was shown at the newly renovated Ohene Djan. A stadium for more than 4 billion people to experience worldwide, deserves acclaim. In fact, one would wish that at the end of the show, at least the directors and coordinators of the entire episode should have come to the center of the stadium to receive thunderous and endless applause and ovations. They did amazingly well! Bravo to all the performers and their directors.

I don’t know them per se. But I learned that some of the cultural gurus in whose fertile wombs the baby was nurtured and born included, Prof. F. Nii Yartey, Prof. Also, Prof. Martin Owusu, Prof. Kofi Ansah and many, many others. Jesus bless them all. Let them know that their reward is guaranteed in heaven! But those of them who want their pay immediately may have to kick the bucket either way. I allow myself to give the title of Professor to all those who participated in that historic opening ceremony. And if anyone dares to summon me before any legal court of the land, because of a professorial saga, I will soberly plead for gentleness, gentleness and mercy. Period! I don’t want any palava!

For the benefit of non-Ghanaians who enjoyed the beauty of the cultural spectacle but may not have understood the real meaning of the end of the drama, here is the gist of what happened that day. First, it is important to know that there are ten administrative regions in Ghana. And each region is endowed with a unique grand cultural heritage in terms of music, dances, songs, festivals, cuisines, drumming and artefacts. There is no cultural or religious discrimination in Ghana. Therefore, whenever there is an event of national dimension, Traditional Priests, Christian Priests and Muslim Priests are all invited to say prayers to God for the success of the event. Whether they call God, or Mawu or Nyankupong or Allah, He or She is the same Supreme Creator of all.

Likewise, whenever there is a national event in the country and a cultural performance is organized, dances and songs from all ten regions of the country are staged. For example, when the National Orientation Sensitization Program was organized by the Ministry of Information and National Orientation where the Five Pillars were officially launched in August last year at the Accra International Conference Centre, children from all ten regions of the country performed cultural dances. of their respective regions. This is what made Ghana a unique country of cultural diversity in unity.

Thus, the gigantic cultural show performed at the Ghana CAN 2008 opening ceremony was the excellent representation of Ghana’s culture from all ten regions as well as a symbolic representation of all 16 African countries participating in a memorable tournament in the country.

Firstly, the helicopter that flew a Ghanaian National Flag across the stadium symbolizes that we are all Ghanaians first before any other ethnic consideration. The colorful fireworks represent the modern form of our tradition gun salute when a great national event is about to take off. The three majestic ladies draped in treasured kente who sang the National Anthem represent the trinity of the Father, the Son and the Holy Spirit whose presence must be acknowledged before any national event.

The more than a hundred traditional horn blowers, who carried the glittering elephant tusks colorfully decorated, were the highest point of the creativity of the creators who conceived the ceremony. To this day this author wonders where they got all the many giant elephant tusks. Unless they are some kind of artificial plastic improvisation, I would imagine that there would be no more elephants in the Bole National Park at Bole in the Northern region or in another forest reserve in Ghana. The wonder is the creativity that went into the creation of this traditional musical instrument used by traditional horn players in Ghana. The symbol is what can be found in the Kwame Nkrumah Memorial Park in Accra.

The cultural significance of traditional horn blowing is that; in chiefs or royal palaces in Ghana, it announces the beginning of an event of great importance. Horns are used to announce the start of an event. Like the talking drums, horns serve as a traditional communication tool to send messages across people in towns and villages. So, the hundred horn blowers at the opening ceremony symbolically announced to Africa and the rest of the world that the 26th edition of the prestigious Africa Cup of Nations is about to start in Ghana, so the whole globe must be alert and ready. to accept the event. And the horn blowers came out of the four corners of the stadium symbolizing the four cardinal points of the earth, namely, East, West, South and North. And by providence, Ghana itself is positioned at the center of the earth. Again, symbolically, Ghana through the opening ceremony radiated Light, Life and Love to all corners of the globe.

Another mind-blowing aspect of the opening ceremony was the acrobatic display by Ghana’s youth. In addition to various magical formations there was the African Map with and Madagascar created by people with human bodies. The design was incredible when viewed on the television screen. About various national dances performed, the less said the better. We witnessed dances ranging from Adowa, Atsiagbekor, Dambai, Kente, Borborbor, Kpanlogo just to mention a few. They were presented with artistic finesse with fantastic colorful costumes for marching. It was just great!

The final cultural aspect of the opening ceremony, which cannot escape mention in this review, was the parade of national flags of various countries participating in the tournament. Many people did not notice this aspect of the ceremony. I remember when I showed the flags to spectators around where I was sitting near the Scoreboard at the stadium, they were amazed. Again the creativity that went into the creation of these flags was incomparable.

The national flags of the participating teams, including Ghana, Angola, Benin, Côte d’Ivoire, Cameroon, Egypt, Guinea, Mali, Morocco, Namibia, Nigeria, Tunisia, South Africa, Senegal, Sudan and Zambia were transformed into colorful umbrellas, held . with respect in for the parade as it is done in the solemn procession for a grand durbar of kings and queen mothers in Ghana. The scene was moving indeed!.

If for nothing, Ghana used its rich culture through the opening ceremony of the 26th Ghana CAN 2008 to project the beauty of African culture to the blue port. I suggest that the Local Organizing Committee (LOC) adopt and adapt the opening ceremony on DVD and CD in any modern Information and Communication Technologies (ICTs) as an African Cultural Heritage for the cultural advancement of humanity to the glory of the CREATOR .

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